Marionettes, mommas and music...
Philemon hobbles across the stage toward his adoring wife Baucis with the slow deliberation of an aged man, and it's easy to forget he's a wooden marionette. The set, deftly hand-painted paper sheets that drop on either side of the stage to create layers of depth, amazes. I could not believe the emotion these puppets evoked and I was crying over the sadness and then joy the characters expressed. Extraordinary!
We then went to CONVERSATIONS WITH. This interview with the Artistic Director Tory Durbin and company dancer, Robert Carter (a native Charlestonian and Olga Supphozova, who danced at the Opening Ceremony) of Les Ballets Trockadero de Monte Carlo was like an extended encore from Saturday night's performance. It helped that we were front row, center, sitting next to Robert's very proud momma! The Piccolo Festival is what introduced ballet to him when he was 7 and now he is a very successful ballerino and a seemingly awesome man. (The photo is of Steve and I with his mom). What an enriching experience to hear all the details of this very entertaining group and their evolution.
The cute gal having a delicious dinner with us is Shana Allen. Very long story about how we've come to know Shana but we do and she was a delight to dine with! Fun to have such diverse company to be with!
A side note about his nickname, that totally had us chuckling. "Proveta" is Portuguese for test tube. Nailor was one of the first test tube babies in Brazil.
So when asked, "How was Charleston?" I really don't think we could thoroughly do it justice with any amount of words. It is indescribably fantastic.
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