Me & My Cousins

 Our detour to Ocala, Florida was to facilitate a long overdue connection with my cousin Terri and her grandson, Jaydin.

Terri's mom, Dorothy (left) was my mom's favorite, fun, younger sister. They were the only ones of the TEN Prine children to leave Iowa.
My aunt would fly to California, alone, and it was always fabulous. She was glamorous and truly fun. She loved life.
Our first time meeting, Jaydin (my first cousin twice removed) was in 2011. It was also the first time I had been introduced to his mom/Terri's daughter, Ellen. It was also the first time seeing Terri since her honeymoon visit to Southern California in 1981 (photo below).

Interestingly, this broken leg was a souvenir from my very first visit to Lake Tahoe. You might enjoy reading about it here.
In 2016, we detoured from another RV trip and spent a couple of days with these amazing women.

In 2018, I combined a visit to see Dorothy and Terri with a Walt Disney World and EPCOT Adventure..
Growing up, our family in California was very isolated from those left behind in Iowa. I wasn't raised with cousins. How wonderful that in adulthood, Terri and I have re-found each other. Her company is delightful. Like most people we've connected with on this adventure, promises were made not to let the years pass by again.

"There is no true joy in a life lived closed up in the little shell of the self. When you take one step to reach out to people, when you meet with others and share their thoughts and sufferings, infinite compassion and wisdom well up within your heart.” — Daisaku Ikeda

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A Glass Bottom Boat Ride & History

We found Silver Springs State Park on a map and knew it was a place we just had to see. Instantly, it felt of a different era and I loved it.

Silver Springs in Ocala, Florida, is the state's oldest commercial tourist attraction and home to the largest artesian spring group in the world. Human habitation spans roughly 10,000 to 15,000 years. By the 1820s, early travelers poled small boats through the crystal-clear waters. Following the invention of the paddlewheel, the Silver River and Springs became a major commercial distribution center for Central Florida plantations growing vegetables, tobacco, and citrus. Steamboats and railroads brought northern tourists to the springs, making it a mandatory stop on early "grand tours" of Florida.
Around 1878, Phillip Morrell and Hullam Jones fitted a glass panel into the bottom of a rowboat, creating the world-famous glass-bottom boat tours. In 1924, local businessmen W. Carl Ray and W.M. "Shorty" Davidson leased the springs and transformed them into a premier theme park. They added gasoline-powered glass-bottom boats, jungle cruises, and animal exhibits.

It felt as if Disneyland's Jungle Cruise and the Submarine Voyage had combined. I absolutely loved it all. It felt nostalgic.
Our time was limited so we embarked on a 30 minute scenic and historic voyage.



It's hard to tell but this is an ancient hand-carved wooden dugout canoe, left by indigenous peoples (such as the Timucua and local Seminole or earlier Archaic-period inhabitants) who used the waterways for travel and trade. Pretty cool.
Silver Springs has served as a natural Hollywood film stage due to its crystal-clear water, lush subtropical forests, and ability to mimic exotic international jungles. The 1960s television series I Spy filmed underwater sequences here, leaving behind these props that can still be seen underwater today. In The Seventh Captain (1967), Robinson and Scott are on assignment in the Greek isles. The enemy agent they're trailing ducks into a small tavern and disappears into thin air. Somehow they end up in the water with these three large fiberglass statues—representing Zeus, Poseidon, and Hades. They were abandoned on the riverbed after production wrapped. Interestingly, a dedicated professional dive team occasionally cleans algae and moss buildup from the statues to keep them visible.
There was one in the Museum for us to understand exactly what they look like, algae-free.

The scenery was exceptional.



It's difficult to see, but this is the dock where several scenes from the television show Sea Hunt was filmed.


I so wish I was here in the 50s. I love this very groovy sign. Wow.
I was enamored with its Hollywood connections. Beginning in the 1910s and peaking through the 1960s, Silver Springs served as a lush, natural tropical backlot for over 250 movies, TV shows, and documentaries. The crystal-clear water and jungle scenery made it an ideal location for multiple Tarzan films, Creature from the Black Lagoon (1954), Rebel Without a Cause, Sea Hunt, and James Bond films including Thunderball and Moonraker. Esther Williams also filmed famous underwater sequences here for Jupiter's Daughter (1955).




I always do some reseach when prepping my blog posts. Through that research, I met Bruce Mozert and instantly became a fan. Mr. Mozert pioneered underwater photography and built his own camera housings. He also invented filter systems to accurately shoot underwater in color. His images of Silver Springs were widely circulated during the early and mid 20th century. There are hundreds of his photos, each full of whimsy.
Interestingly, in 1938, while he was on an assignment to photograph women's shoes in Miami, he heard about the filming of one of Johnny Weissmuller's Tarzan movies in Silver Springs. He traveled to meet the cast and ended up staying in Ocala, becoming the official photographer of Silver Springs for the next 45 years. He served in the U.S. Army Air Forces during part of World War II and there learned aerial photography.
Mozert took advantage of the extremely clear water of Silver Springs by taking underwater photographs. The novelty and clarity of his underwater photographs were major advertisements for Silver Springs and the distribution of the photos over wire services helped the attraction bring in visitors from 1940 to 1970.
Most of his photographs feature submerged women doing tasks that would ordinarily be done on land, such as cooking, reading newspapers and mowing lawns. Most of the women were actually employees of Silver Springs. Physical tricks were often used to make the underwater scenes appear more realistic. He also took underwater movie stills for the many productions filmed in Silver Springs. Above the water, he took pictures of visitors going on glass bottom boat tours, developed the film while they were on the tour, and then had the photos ready to sell to visitors when they returned.

Part of my love of travel stems from the opportunity it offers to be SURPRISED. Silver Springs' beauty and history amazed me. What a fabulous detour.

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Henry Flagler's St. Augustine

During the Gilded Age, industrialist Henry Flagler (1830-1913) transformed St. Augustine from a quiet, underdeveloped outpost into the "American Riviera" for wealthy Northern winter travelers. This was the day for us to experience that transformation.

As we strolled through the area of St. Augustine immediately west of downtown, we experienced the extraordinary influence of New Yorker Henry Morrison Flagler. He was a co-founder of Standard Oil with John D. Rockefeller. Flagler stepped back from daily responsibilities of this successful venture and launched a second career in Florida.
Over the next thirty years, he built resort hotels from Jacksonville to Miami and the Florida Keys linked by his Florida East Coast Railway. Steamships took visitors to his resorts at Nassau in the Bahamas and to Havana, Cuba. His Overseas Railway through the Florida Keys was recognized as the Eighth Wonder of the Modern World. Ultimately, Flagler was regarded as the “Father of Modern Florida” for his investments in the sunshine state. St. Augustine exhibits some of his most lasting contributions and was his chosen location for his final resting place.

We began our history lesson at the Hotel Alcazar (1888), Flagler's second resort designed by John Merven Carrère and Thomas Hastings. The first, the Ponce de Leon, will be discussed more later in the post. The “house of Caesar” shares the Ponce’s exterior concrete construction with brick and terra cotta details. Uniting the two resorts are the Alameda Gardens. Visitors continue to stroll through the beautiful gardens as they have for more than 130 years. The rear section of the Alcazar featured exercise and game rooms, amusements, and an indoor swimming pool.
After succumbing to the economic devastation of the Great Depression, the building’s future was in question. Since 1948, the building has hosted the Lightner Museum of Victorian-era decorative and fine arts, thanks to Chicagoan Otto Lightner (buried here).
I found this very interesting. The Hotel Alcazar closed permanently after the winter season of 1931. The shuttered building was ultimately purchased by Midwestern magazine publisher and collector, Otto C. Lightner (1887-1950). Lightner was a major advocate for hobbies in the United States through his publication, Hobbies—The Magazine for Collectors. With the advent of the eight-hour workday and five-day work week, advocates for public morality grew increasingly concerned about how people were spending their leisure time. The hobby movement grew out of a widely shared belief that hobbies, particularly handicraft and collecting, were the most wholesome way for a person to occupy themselves outside of the workplace.
“There is demand for a museum of this type.
Here the collection that afforded its owner so much pleasure,
that made them an authority on the subject,
that inspired many others with the same hobby,
that was the fruit of long hours of labor,
can find its last resting place.”
-Otto Lightner, Hobbies
In 1934, Lightner opened a unique museum in Chicago dedicated to hobbies and collecting. The museum primarily featured artwork and furnishings purchased by Lightner from Chicago’s grandest Gilded Age mansions during the 1930s and 1940s, but he also encouraged hobbyists to donate their collections for display. Following a stay in Florida at the Hotel Ponce de Leon in 1946, Lightner purchased the former Hotel Alcazar to serve as the permanent home for his eclectic collection. The new Lightner Museum of Hobbies opened to the public in 1948.




A dynamic era that shaped modern America, the Gilded Age witnessed the sudden rise of a new millionaire class whose wealth derived from emerging industries including railroads, oil, and steel manufacturing. These titans of American industry expressed their high status by building stately mansions filled with beautiful objects and substantial art collections.
The period was vividly depicted in the novels of Edith Wharton, Henry James, and Mark Twain who coined the term ‘The Gilded Age’ to satirize the gross materialism and rampant political corruption of his day. Despite Twain’s criticism, the aesthetic and philanthropic advancements of the era reshaped American cultural life at the dawn of the twentieth century. During these years, the United States achieved new levels of sophistication in painting, sculpture, architecture, and the decorative arts, establishing itself as a cultural force on the world stage for the first time.
Displayed in the grand ballroom, The Gilded Age: Treasures from the Lightner Museum presents a lavish display of fine and decorative art created during a defining period in American history. What art and what a setting!






Guests utilized specialized bath suites featuring Turkish and Russian bath setups, where attendants in the scrub room provided traditional rubs, washdowns, and thermal treatments. When the hotel was shuttered in 1931, the doors to this area were closed and it wasn't until a renovation in the 1970s that this amazing opulence was revealed.

Wow, right?!


Also very interesting is the fact that Henry Flagler hired Edison's company to install a massive direct-current lighting plant to power his St. Augustine properties. The system featured Edison DC dynamos driven by steam engines and boilers that generated electricity for thousands of lights across both the Ponce de Leon and this, the Hotel Alcazar. Company records indicated around 4,100 lights total were installed between the two hotels. When the Ponce de Leon opened on January 10, 1888, it featured one of only 121 Edison power stations operating in the United States at the time. The direct-current system did not stay permanent; in 1893, Flagler's insurance company required an upgrade to Nikola Tesla's alternating current (AC) electrical system. Got to love Tesla!
And what was probably the coolest feature of this hotel, to me? The historic indoor swimming pool, once the largest indoor pool in the world. The pool measured an impressive 120 feet long by 50 feet wide and was continuously fed by natural artesian sulfur water believed at the time to have medicinal benefits. A large skylight could be cranked open for ventilation, and guests could swim under natural light during the day or starlight at night. The pool was a central social hub, hosting high dives from the ballroom balconies, water polo, swimming races, and comic events like tub races. It even hosted the 1925–1926 Women’s AAU national swimming championships, featuring prominent athletes like Gertrude Ederle and Helen Wainwright.


The pool was drained when the hotel closed. It is now a delightful cafe housed in the deep end.

Next stop was Hotel Ponce de Leon (now Flagler College). Considered architects Carrére and Hastings’ most imaginative creation, the Spanish Renaissance Revival structure was named for explorer Juan Ponce de León. The hotel is a complex of more than 270,000 square feet, located on a six-acre city block. The design features architectural elements reminiscent of Spanish cathedrals and palaces that today are World Heritage Sites. In 1968, the hotel became the cornerstone of the new Flagler College.

Because this is an active college, we were limited in what we could see. We embarked on the Flagler’s Legacy Tour which included visits to the extravagant hotel’s Rotunda, Grand Parlor, and Dining Room, the last of which features most of the 79 stained glass windows created by Louis Comfort Tiffany. This is the largest collection of his in the world in their original location.


Built between 1885 and 1887, and designed in the Spanish Renaissance Revival / Spanish Colonial Revival style by Carrère and Hastings, it was one of the earliest major buildings in the United States constructed from poured concrete (using a mix of cement, sand, and local coquina shell).
It was created as a winter playground for America's Gilded Age elite and featured 540 rooms, grand dining halls, artist studios, and elaborate courtyards. It hosted prominent figures and U.S. presidents, including Mark Twain, Theodore Roosevelt, Grover Cleveland, and Babe Ruth.
We were in constant awe of the work of George W. Maynard who painted the famous rotunda and dining hall murals, including the allegorical figures of the four elements (Earth, Water, Air, and Fire) and the four stages of European exploration (Adventure, Discovery, Conquest, and Civilization). He later replicated similar themes in the Library of Congress in Washington, D.C. Gorgeous.

We began our tour in the Ladies' Parlor.  When the luxury resort operated female guests were directed to this grand space as a private reception and relaxation room rather than lingering in the main check-in areas. The room features dazzling Austrian crystal and unique period chandeliers (including designs attributed to Tiffany). It displays original Gilded Age period furniture, historic china, artwork, men's fashions, and portraits of Henry Flagler and his family.




Louis Tiffany also designed the ornate blue ceiling aesthetics, while supposedly trying to perfect his famous "Tiffany Blue".
The room also houses a clock designed by Thomas Edison, whose company wired the original hotel for electricity three years before the White House. Wow.



Our last stop on the tour was in the historic Ponce De Leon Hall dining room. Spanning 14,212 square feet, it is famous for being the home of the previously mentioned world's largest private collection of Louis Comfort Tiffany stained glass window.








"Here was St. Augustine, the oldest city in the United States.
How to build a hotel to meet the requirements
of nineteenth century America
and have it in keeping with the character of the place?
That was my hardest problem."
— Henry Flagler
Our final St. Augustine history lesson occurred at the Flagler Memorial Presbyterian Church. Henry Flagler, son of a Presbyterian minister, had this Church built in memory of his daughter Jennie Louise Flagler Benedict and her newborn daughter Margery, both of whom died in 1889. Flagler commissioned the architects and builders of his other St. Augustine buildings to create the Venetian Renaissance Revival style structure.

In 1902, Flagler commissioned 10 tall, narrow stained-glass windows that were designed by artisan Herman Schladermundt. Flagler is entombed in the family mausoleum which he had added to the property in 1911. The complex is part of the Model Land Company National Register Historic District and was selected in 2012 as one of the nation’s eight religious wonders to visit. Flagler supported other religious buildings in the community, including construction of Grace United Methodist Church, funding for Ancient City Baptist Church and the tower of the Cathedral Basilica of St. Augustine.







Flagler responded to interviewer Lefevre, when asked about talking about himself,  was “I prefer to let what I have done speak for me." After spending the day in the awesomeness of this man's accomplishments, we can honestly say, "We hear you, Mr. Flagler!" Wow.

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