London: Friends, Market, Art & Theatre
Today was all about connecting with our friend, Eve, who we met in 2010 in Italy and have waited for another chance to be in one's company since a rendezvous in 2018... Seven years!
We began at the Borough Market (1756).
The origins of Borough Market are ancient, dating back for at least 1,000 years. Originally a market at the southern end of London Bridge, however by 1754 the City of London was fed up with the Southwark entrance to the bridge being congested by a market, and that the market was taking business away from the City markets. A bill was introduced to Parliament to stop the market trading in March 1756.
The local residents were not happy with the loss of their market and raised £6,000 to buy an area of land called The Triangle, and this became the new home of what is today Borough Market. And what a home it is!!!
The Market, which is run by a charitable trust for the benefit of the community, has never stopped evolving. A few decades ago, it was a wholesale market serving the greengrocers of south London, now it acts as a beacon for sustainable food production, short supply chains and social connection, drawing visitors from far and wide.
After a delicious, and scenic lunch we strolled along the Thames.
The origins of Borough Market are ancient, dating back for at least 1,000 years. Originally a market at the southern end of London Bridge, however by 1754 the City of London was fed up with the Southwark entrance to the bridge being congested by a market, and that the market was taking business away from the City markets. A bill was introduced to Parliament to stop the market trading in March 1756.
The local residents were not happy with the loss of their market and raised £6,000 to buy an area of land called The Triangle, and this became the new home of what is today Borough Market. And what a home it is!!!
The Market, which is run by a charitable trust for the benefit of the community, has never stopped evolving. A few decades ago, it was a wholesale market serving the greengrocers of south London, now it acts as a beacon for sustainable food production, short supply chains and social connection, drawing visitors from far and wide.
After a delicious, and scenic lunch we strolled along the Thames.
Our next destination was the uber awesome Tate Modern. And how cool is the building that has housed the Tate for the last 25 years? Bankside Power Station is a decommissioned electricity generating station located on the south bank of the River Thames, in the Bankside area of the Borough of Southwark, London. It generated electricity from 1891 to 1981. It was also used as a training base for electrical and mechanical student apprenticeships from all over the country.
For the Tate's 25th anniversary, 25 artworks around the building have been chosen to celebrate this moment. Next to these special art pieces is a personal perspective from a guest voice. Each reflection brings to mind the feelings that might be associated with a birthday, such as joy, humor, introspection, and nostalgia. What a unique way to view artwork and feel a part of the museum.
Our first introduction was Maman, by Louise Bourgeois. This monumental steel spider is so large that it can only be installed out of doors, or inside a building of industrial scale, the old power station is just perfect for such a piece. Supported on eight slender, knobby legs, its body is suspended high above the ground, allowing the viewer to walk around and underneath it. Each ribbed leg ending in a sharp-tipped point is made of two pieces of steel, and attached to a collar above which an irregularly ribbed spiraling body rises, balanced by a similar sized egg sac below. The meshed sac contains seventeen white and grey marble eggs that hang above the viewer’s head, gleaming in the darkness of her under-body cavity. Maman was made for the opening of Tate Modern as part of Bourgeois’s commission for the Turbine Hall, the grand central space of the museum.
How fun is Robert Indiana's LOVE Red Outside Violet Inside? Indiana’s LOVE sculpture was conceived in 1966. Crafted in various sizes, the three sculptures from the 96-inch edition are found in museum collections: Tate Modern; San Francisco Museum of Modern Art; and, of all places, Des Moines Art Center, John and Mary Pappajohn Sculpture Park. Wild.
I'm always excited to see a Matisse. The Snail (1953) has an interesting history. After 1948, Henri Matisse was prevented from painting by ill health but, although confined to bed, he produced a number of works known as gouaches découpées. These were made by cutting or tearing shapes from paper which had been painted with gouache. The shapes were placed and pasted down by an assistant working under Matisse's instruction. Some of the later ones, such as The Snail, were of very large dimensions. The technique opened up new possibilities for him. Matisse said of the technique that it 'allows me to draw in the color. It is a simplification for me. Instead of drawing the outline and putting the color inside it - the one modifying the other - I draw straight into the color'.
Abdoulaye Konaté's Intolerance (1998) made of cotton, textiles, flip flop, bullet shells, notebook and other materials presented a different perspective before knowing its message.
Shreds of clothing are piled above a swathe of blood-red fabrics, hinting at an ominous, violent scene. Abdoulaye Konaté made this work in response to the intolerance he saw between different ethnic, political and religious groups across Africa. He inscribed the textiles with the names of African cities and countries that have experienced such violence. In particular, he made the work in reaction to the Rwanda genocide of 1994, during which 800,000 people were killed. Konaté explains, 'In my life and in my practice as an artist, I feel the constant need to be aware that we still live in a world permeated by intolerance',
I loved this opportunity to share... to write about "What I remember about my first visit!"
Our final destination was the Southbank for yet another evening of theater. We had to commemorate Sir Laurence Olivier. The plaque read, "Larry was true. He was exciting, gloriously funny, and is still part of what makes life worth living, as is his creation: the National Theatre." What a sweet sentiment.
We were there for Chineke! Orchestra: Marsalis' Fiddler's Tale.
Jazz icon Wynton Marsalis’ update of Stravinsky’s uncanny tale, L’Histoire du soldat (The Soldier’s Tale), is a modern parable of temptation and redemption. Marsalis’ A Fiddler’s Tale updates the classic narrative to explore a jazz fiddler’s pact with the devil.
Eve absolutely loved it. Steve and I are still discussing it. That said, an evening at the theater is a fantastic way to conclude a fantastic day. We then said our goodbyes and made promises of a reconnect sooner than seven years. "Parting is such sweet sorrow!"
“London opens to you like a novel itself…
It is divided into chapters, the chapters into scenes,
the scenes into sentences;
it opens to you like a series of rooms,
doors and passages.”
– Anna Quindlen
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1 comments:
Hello, hello! I love the pic of you and me on Oystergate Walk! ... look at our co-ordination! Eve xxx
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