London Day 4... So Much More!

We began our morning at the Guildhall Art Gallery, the first of which was built in 1885 to display the City of London Corporation's growing art collection.

The Victorian gallery was almost entirely destroyed by fire during a severe air raid of the Second World War on 10 May 1941. Large parts of the collection had been removed to underground storage in Wiltshire, together with those of other London museums and galleries, but 164 paintings, drawings, watercolors and prints and 20 sculptures were lost.
Thankfully, John Singleton Copley's massive The Defeat of the Floating Batteries at Gibraltar, September 1782 (1783-1791) was saved.
The collection illustrate the key artistic movements and influences of the Victorian period, from the Pre-Raphaelite Brotherhood, to Orientalism, Classicism and narrative painting, and it is displayed by theme to better contextualize the culture and social history in which the works were created.
The paintings span the years of Queen Victoria’s reign (1837-1901), though some have roots before her accession and others have a legacy extending beyond her death. This creative and dynamic period of artistic development is sometimes known as ‘the long nineteenth-century’. More modern pieces were found in side galleries, all adding to the richness of our experience.
I loved The Last Evening by James Jacques Tissot (1873), perhaps because we had just been on a cruise.

John Everett Milllais' two part series, First and Second Sermon (1863) made me smile. The earnestness of the little girl trying to stay awake, and failing, is adorably portrayed.



Here, too, we were introduced to Evelyn De Morgan (30 August 1855 – 2 May 1919), a uniquely strong woman associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism.


Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content.
This talented woman demands further study.


We gleefully strolled Fleet Street with its rich and storied history. Primarily known for its association with the printing and publishing industry, particularly newspapers, it's one of London's oldest thoroughfares, dating back to Roman times.

It is also home to some amazing businesses.



Standing at 186 Fleet Street is an old remainder of Fleet Street‘s tabloid heyday. No.186 belong to DC Thomson – a Scottish publishing house and TV company. The Thomson family originally started out in shipping before branching out in publishing by buying the Dundee Courier and The Daily Argus in 1886. DC Thomson was headquartered in Scotland but they established a London base to cover relevant stories. Prior to the current building, the site featured the street’s last early 17th century timber-framed buildings before they were demolished.
How funny, and not really surprising, to find a Demon Barber on Fleet Street!

What an interesting view of St. Paul's!

This is the site where William Wallace (Braveheart) was drawn and quartered. Yikes.
Lunch at a traditional British pub screamed, "We're in London!"


While researching things going on, I discovered London Gallery Weekend, the world’s largest event of its kind and unique among global gallery weekend events in the breadth and diversity of its participating galleries. The event takes place over three days, each focusing on a different area of London. Free for all to attend, it provides an opportunity to discover and explore London’s world-class gallery scene, celebrating the city’s diverse cultural and creative communities.
Just two events fit into our schedule. The first, Elizabeth Xi Bauer: Panel Discussion & Drinks was a panel discussion with artist Abraham Kritzman, Artnet European News reporter Jo Lawson-Tancred, and art curator Benedicte Goesaert, while moderated by art historian and critic Verity Babbs. The occasion was that of Abraham Kritzman’s and Philippe Van Snick’s exhibition +Days + Nights. Oh man, I chose well.


This exhibition brings together the works of Kritzman and Van Snick for the first time, highlighting a dialogue between contemporary abstraction and conceptual traditions rooted in the 1970s. I had arrived early to see the exhibit and after the panel discussion, I left with such an enhance perspective. What a fabulous opportunity to experience art deeply.
Abraham and Benedicte were absolutely delightful, too.
I visited the British Museum sans Steve. I am so glad I didn't miss this opportunity to explore he first national public museum of the world.
The British Museum is unique in bringing together under one (massive) roof the cultures of the world, spanning continents and oceans. No other museum is responsible for collections of the same depth and breadth, beauty and significance. "Its eight million objects allow us to explore the extraordinary diversity of human cultures, from small communities to vast empires, to discover the many forms and expressions human beings have given to every aspect of life, and to realize how closely they are interconnected."
I had limited time and energy so armed with the Museum's Don't Miss list, I did my best. First was an ogle of The Rosetta Stone. This key to deciphering hieroglyphs is truly something to see.
Oh my, the Lewis Chessmen. The Museum houses a collection of 82 Lewis Chessmen, a set of intricately carved chess pieces discovered on the Isle of Lewis in Scotland. These pieces, dating back to around 1150-1200, are made from walrus ivory and sperm whale tooth.

How about this library? The Library of Ashurbanipal is the name given to a collection of over 30,000 clay tablets and fragments inscribed with cuneiform – a type of writing used in Mesopotamia (ancient Iraq). Texts were written by pressing a reed pen into soft clay. The characteristic wedge-shaped strokes give the writing its modern name (cuneiform means simply 'wedge-shaped'). The tablets were discovered in the ruins of the city of Nineveh (now northern Iraq), once capital of the mighty Assyrian empire, ruled by Ashurbanipal from 669–c. 631 BC.










London has delighted and surprised. It is a city like no other. Samuel Johnson might be right when he wrote,  "When a man is tired of London, he is tired of life; for there is in London all that life can afford."

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