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A Return to the Desert: 3 Stops

Before Sharon's month long sojourn in Palm Springs ends, we made plans for one more afternoon together.

Before meeting Sharon for lunch, my stop #1 was in the village of La Quinta to visit its museum. My goal was to explore Gallery 2, located on the 1st floor, which features new revolving exhibits that change every three to four months. I was there for Brilliant Expanses, Fading Vision: The Salton Sea Paintings of Andrew Dickson.

According to the artist, who grew up exploring this amazing part of our state, "The Salton Sea, California’s largest lake is a place of expansive beauty, filled with ancient geologic forms and a layered human history still clearly visible.  It is also part of one of the most productive agricultural regions of the country and home to many small and vibrant communities. The lake is currently an environmental concern as the water recedes, air quality worsens, and local neighborhoods and wildlife habitats are affected."
This exhibition of drawings and paintings presents an overview of his creative work at the Salton Sea. Through his artwork, he hopes to promote reflection on the unique visual character and complex issues surrounding the Salton Sea and to express the profound beauty he senses in its vast spaces, rich textures, and brilliant sun-bleached landscapes.
Artist’s Statement, " I am often attracted to stark, remote landscapes and ordinary locations because they are quiet and meditative, and also because I find it rewarding to reveal the latent beauty present in places that are easily overlooked. I am continually drawn to settings that contain both natural and man-made forms. In urban environments I gravitate toward views that convey a sense of open space, solitude or some contrasting element of natural beauty. Conversely, in natural settings I am often drawn to locations that contain fragments of man-made elements. These contrasting elements can promote reflection on our relationship to the landscape, and they also present many unique design possibilities for artistic exploration."





I spent my 59th birthday camping on the Salton Sea's shore. Whether viewed in person or through the exceptional painted observations of Andrew Dickson, it is a magical, unique place which casts a spell on those who take the time to really see it.
All the art ogling made me hungry and eager to connect with Sharon. Stop #2 was in Palm Desert at the uber delicious Chef Tanya's Kitchen (I'm photographed with the culinary queen herself). 
Tanya's kitchen is inspired by her love for good food, nature, and the animal kingdom. She is dedicated to making food tasty, fun, healthy, and easy. She opened the first all-vegetarian restaurant in the Coachella Valley in Palm Springs in 1990. For the last 35 years she has been showcasing house-made seitan and tempeh gourmet dishes. I know so many people who would have loved to have been here with me. Delicious!
After fueling up, Sharon and I headed to my last stop (#3), the Rancho Mirage Library and Observatory. We were there for the final episode in the Hollywood Gamechangers series.
Documentarian and award-winning author Steven C. Smith took us inside the battles and breakthroughs behind the fourth and final screen classic- Pillow Talk. All of them defied the rules, advanced the art of filmmaking, and remain among the most entertaining movies ever made. We both wish we had seen all four of the films but agreed 50% isn't so bad especially since we aren't locals.
Pillow Talk was a film I had never seen and now I really wonder why! "By 1959, singer-actress Doris Day had mostly portrayed ingenues in wholesome musical comedies. π‘ƒπ‘–π‘™π‘™π‘œπ‘€ π‘‡π‘Žπ‘™π‘˜ , from its suggestive title to its script’s playful sexiness, redefined Day’s screen persona as more than a virginal good girl – and earned her an Oscar nomination. It paired her for the first time with Rock Hudson, whose career was on the skids after a major bomb. Their chemistry so delighted audiences that π‘ƒπ‘–π‘™π‘™π‘œπ‘€ π‘‡π‘Žπ‘™π‘˜ inspired two follow-ups with the pair, and earned the staggering amount (in today’s dollars) of $200 million."
Before the showing began, Steven told us the background history and the impact this filmed had on cinema. We learned it was credited with launching 1000s of romantic comedies (my favorite film genre).
What's not to love? "Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet, he's taken with her beauty and, pretending to be a wealthy Texan, begins to court her mercilessly. Though flattered by this stranger's attention, it's not long before she discovers his true identity. Now, it's her turn to have a little fun… at his expense! Tony Randall and Thelma Ritter costar in this …sleekly sophisticated production that features Miss Day in 24 ultra-chic ensembles from Jean Louis and over $500,000 in borrowed jewelry. Pillow Talk also went on to win an Academy Award for Best Screenplay."
This film possessed so many great quotes. "It only takes a sip of wine to know if you like a bottle... Drink up!" Hysterical. I loved the fact that my Tahoe friend was currently just 1½ hours away. While I didn't get to see her as much as I would have liked during her time in Palm Springs, what we did experience was extraordinary and unforgettable!

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Desert Introductions...

Our day was one of discovery and meeting new people.

We began at the Rubine Red Gallery with an introduction to the amazing art of Malcolm H. Myers.
Curated by gallery owner, and awesome guy, Jason Howard, this extensive exhibit showcases much of Malcolm Myers' 60+ year career, where the Animal Kingdom was a source of inspiration.
Malcolm Myers (self portrait above) is considered one of the greats in American Intaglio Printmaking. He is widely recognized for revolutionizing the Art Department and developing printmaking at the University of Minnesota, where he began teaching in 1948.  As a printmaker and painter his work has been shown worldwide and can be found in famous collections both public and private.

He created creature characters big and small, including: Fox in Costume, The City Mouse, Balzac the Bear, Minnesota Rabbit, Charlie Wolf, Owls and Aardvarks, Cows and Crows.  Appearing prominently across all of Myers' artist genres his animals delight art lovers with their simplicity and happy nature.

Jason took the time to explain to us intaglio printing. The word comes from the Italian intagliare, meaning “to incise” or “to carve.” In intaglio printing, the lines or areas that hold the ink are incised below the surface of the plate, and printing relies on the pressure of a press to force damp paper into these incised lines or areas, to pick up ink. It was very cool that the gallery had one of Mr. Myers' plates for us to study and get a grasp of just how complicated the process is. Wow.


Our goal was to explore a bit of Palm Desert before I had to head home. Here we were introduced to the Faye Sarkowsky Sculpture Garden.
The Faye Sarkowsky Sculpture Garden features significant sculptures surrounded by beautifully sculpted, rolling terrain. The four-acre garden features 14 outdoor sculptures and over 60 desert plants.

Set in a lushly landscaped desert oasis replete with water features, native plants, and winding walkways, the sculpture garden houses the art of modern masters, including works by Donald Judd, Betty Gold, Yehiel Shemi, Felipe Castaneda, JesΓΊs Bautista Moroles, Dan Namingha, Gio Pomodoro, and Dave McGary.
The most impressive was Dave McGary's life-size bronze Walks Among the Stars
"It depicts a late 18th century Lakota woman displaying her beautiful heirloom star quilt.  As the Indian Wars ended and the North Plains tribes faced relocation to reservations, the Sioux women began making patchwork, quilts as replacements for traditional buffalo robes.  Today, the star quilt is a symbol of prestige, sentiment, belonging and status within the contemporary Lakota culture."
Look at the texture and flow of this piece. We couldn't believe it was a bronze and not a real quilt. It was breathtaking.

The plants in bloom reminded us that Spring is truly on its way.




A first for Sharon was a visit to the Palm Desert Historical Society Museum.
The early maps labeled it as a Sand Hole. In the 1930s, a few homes were built and lots sold in a development north of Highway 111 called Palm Village. World War II brought General Patton here to train for African warfare; but no one ever dreamed this would become a world-class destination resort. No one except Cliff Henderson and his brothers Randall, Phil and Carl, who with brother-in-law Tommy Tomson and investors, including Edgar Bergen, Leonard Firestone and Harold Lloyd, turned a sand hole into a sparkling jewel called Palm Desert.
The brothers' first glimpse of Deep Canyon and the Santa Rosa Mountains triggered a sense of the magic and potential of this place. They envisioned fine homes and swimming pools, schools, churches, and culture that would draw visitors and families from far and wide.

The Henderson brothers began development of 1,600 acres. Construction of the Shadow Mountain Club and the Desert Magazine Building began soon. A new spirit and energy was evolving. The rest, they say, is history!

Sharon introduced me to this very interesting gal, Susie Keef Smith. Getting away from a troubled home life, she became the postmaster at the lowest elevation post office in the US, on the northern edge of the Salton Sea, in 1926. She wore a full leg brace due to childhood polio and was picked on by her peers because of her disability. She set her sights not on nearby Palm Springs and its budding Hollywood scene, but to the empty desert to the east: The Big Unknown.
Escaping with her cousin, Lula Mae Graves, Susie set out to photograph the last of the prospectors, burro packers and stage stops in the remote desert east of California’s Salton Sea. They traveled by burro, foot and Ford though sandy washes and roadless canyons, armed with a .38 revolver and a large format camera. While making postcards for the P.O. spinner rack, the women were remade in the wilderness and wound up creating an unparalleled portrait of one of the lesser-known deserts in the West.
Susie Smith's 1,500 photographs of the early desert were almost lost to history. When she died in Leucadia in 1988, a San Diego county estate administrator tossed her life's work into a dumpster. A quick-thinking archaeologist leapt into the bin and rescued what we now know to be an unparalleled portrait of a neglected corner of the California desert. WOW.
Our final stop was to ogle a surprising midcentury modern home in the middle of town.

Hidden in the middle of a nondescript neighborhood lies the beautifully restored Miles C. Bates House, or known more familiarly as ‘The Wave House’ — for it’s roof that slopes from one side to other like a flowing wave, intended to mimic the curves of the San Jacinto mountains that sit behind it. Designed in 1955 by architect and industrial designer Walter S. White, the wave house was the epitome of a bachelor pad for artist Miles C. Bates (described as a playboy heir to a cement fortune, and also a very keen bongo drum player). Go figure. Bates entertained at the house often, including the likes of James Dean.
After a series of additions had begun to overtake the legibility of the Bates House’s iconic form, and a number of unoccupied years threatened its structural and material integrity, Stayner Architects bought the house from the city of Palm Desert as part of an effort to see the innovative, patented roof structure and emblematic mid-century interior renovated and re-activated as a publicly accessible amenity.
So many of my favorite things were encapsulated within this day: history, new discoveries, cool architecture. thrift store finds, delicious food, and the company of a good friend. What a fantastic close to this season of Palm Springs.

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