Adaline Kent: The Click of Authenticity

The Nevada Museum of Art had another exhibit showcasing an artist none of us had heard of- Adaline Kent.

I loved her quote, which seems to sum up her art beautifully, "To me, skiers, dancers, trapeze artists provide pleasure comparable to that of sculpture— an idea of form in space, space in form, movement controlled in space, free yet disciplined in composition. The feeling of space and movement seems to be of the essence of our time. Whether movement is physical or implied, I think it is the same."
This is the first retrospective exhibition of one of midcentury America’s most innovative artists to occur in nearly sixty years. It features approximately 120 works that span Adaline Kent’s (1900-1957) entire career and chart major thematic developments in the artist’s work as it progressed from figuration to abstraction.
Encompassing a diverse range of media, the exhibition includes drawings, original pictures incised on Hydrocal (a type of plaster), sculptures both large and small, and a collection of terracottas—many of which have not been seen by the public in over half a century.



Interestingly, the exhibition title comes from the artist herself; Kent often wrote down many of her ideas on art, filling notebooks with her thoughts. In one poetic note entitled Classic Romantic Mystic, dated April 17, 1956, Kent mused, “I want to hear the click of authenticity.” The exhibition title underscores the drive that propelled her forward in her work and life: to create art that expressed a unique approach to timeless subjects.
I loved that there is a Tahoe connection here, too. Kent grew up in the shadow of Mt. Tampalais, and therefore with a love of the natural world that she shared with her husband Robert B. Howard. They often spent their summers exploring the High Sierra. Kent and Howard also spent winters skiing in the Tahoe region. They were among the first investors of Sugar Bowl Ski Resort, and Kent’s brother-in-law, Henry Temple Howard, would design the first chairlift in California. Kent was a self-admitted “addict of the High Sierra,” and the landscape infused her work as she translated her experience of time and space in the mountains into aesthetic form.

This piece, Journey by the Moon represents a human figure atop peaks, similar to the mountaintops represented in her other works.







“An individual artist goes through the transitions of the history of art – classicism to romanticism etc. – swinging toward another as the mood fulfills itself in action – each at his own tempo.” -Adaline Kent
What a glimpse into the world of the artist. It was said that she loved the trapeze rings and would work out with them during breaks in her creative process. What an interesting woman!

I was drawn to this piece, Untitled (Fabric Design) c. 1945. Kent collaborated with Dorothy Liebes (1897- 1972) on this unique textile design in the mid- 1940s. Kent created the bold, abstract pattern, and Liebes then produced it in her San Francisco studio. This is the only known piece of the fabric that survives, which the artist often used as a tablecloth.

Liebes was an American textile designer and weaver renowned for the vivid, custom-made modern fabrics she crafted for interior decorators and architects, such as Frank Lloyd Wright (whom she had met in 1935). Known as "the mother of modern weaving," Liebes traveled to France, Italy, Mexico, and Guatemala to study diverse weaving techniques and designs. A notable client of Liebes's was the Ahwahnee Hotel in Yosemite, which also commissioned Kent to make terracotta lamps in the early 1950s.
Who knows how much more Adaline Kent could have accomplished had her life not ended prematurely and tragically. According to the Daily Independent (dated Monday, March, 25, 1957), "Mrs. Adaline Kent Howard of San Francisco, noted artist and sculptor and member of Marin's prominent Kent family, was killed yesterday when the car in which she was riding plunged 70 feet off a sharp curve on Highway 1, six miles south of Stinson Beach. Mrs. Howard, 56, was enroute to visit the Stinson Beach home of her brother, William Kent Jr. Her daughter, Ellen Howard, 25, was at the wheel. The car, a convertible, was not badly damaged, and the driver suffered only face cuts, but Mrs. Howard apparently struck her head on the windshield. If she had been wearing a seatbelt, she might have survived."

What an artistic treasure the Nevada Museum of Art has gifted us with this retrospective. Like the unknown Ghost Army, Adaline Kent is now known by us museumgoers who will help share her history.

posted under |

0 comments:

Post a Comment

Newer Post Older Post Home

Get new Blog Posts to your inbox. Just enter name and email below.

 

We respect your email privacy

Blog Archive


Recent Comments