Frank Lloyd Wright's KENTUCK KNOB
My PA pen pal Kim told me about Kentuck Knob, a delightfully surprising masterpiece by Frank Lloyd Wright, three years ago after I first went to Fallingwater. I can't believe Steve and I finally made it here.
At 2,050 feet above sea level, Kentuck Knob (1956) sits just below the mountain’s crest, appearing as a natural extension of the hill itself. Expanses of glass and cantilevered overhangs effortlessly blur the line between interior and landscape. A Grand Usonian home designed on a hexagonal module, it represents Frank Lloyd Wright’s philosophy of organic architecture adapted for the modern world. Usonian is a mid-20th-century architectural style and design philosophy created by Mr. Wright to provide affordable, efficient housing for the middle class. He used the term "Usonia" as an abbreviation for the "United States of North America," believing it better represented a unique, democratic American identity than the word "America".
Isaac Newton Hagan (commonly called I.N.) and Bernardine Hagan approached Wright once they had seen Edgar and Liliane Kaufmann’s home, Fallingwater, seven miles away. After falling in love with their friends’ home, the Hagan’s knew they wanted Frank Lloyd Wright to design their own mountain backdrop dream home. Wright at this time was eighty-six years old and was working on several projects including the Guggenheim Museum in Manhattan’s Upper East Side and the Price Tower in Bartlesville, Oklahoma. However, Wright agreed to design the house for the Hagans.The most amazing aspect is that Wright never saw the land before he and his partners ketched ideas for Kentuck Knob. In fact, Wright only intended to visit Pennsylvania once to inspect the building site, and would “rely instead on a topographical survey and a series of photographs.” I.N. and Bernardine were greatly disappointed when they learned Wright would not be coming regularly to visit the progress that the house had been making during the design phase or construction. Wright had Mr. and Mrs. Hagan visit some of the houses he had designed in Wisconsin to get ideas of what they wanted for Kentuck Knob. My gosh, the man was 86! What could they expect?
A great believer in the intrinsic beauty of natural materials, Wright combines the native fieldstone with tidewater red cypress to create a chorus of color and texture that replicates the surrounding landscape. The design of this product was adapted from the perforated boards in the house which infuse the house with individuality, allow in light, and create interesting shadows and light patterns in the interior of the house which change as the sun moves across the sky without the expense of art glass.
In the Hagan-era, this postcard was made. The chairs are focused on an "invisible window" crafted for Bernardine. This features a massive 8-foot by 4-foot sheet of polished plate glass mitered seamlessly and directly into the corner stone masonry and wood ceiling. Because there is no visible wood or metal frame, it functions as a literal transparent screen, blurring the distinction between the interior greatroom and the outdoor Appalachian forest. In real life it was beautiful.
Wright usually designed furniture to blend with the architecture, rather than for comfort. This arrangement seems to have fit both criteria. Kentuck Knob has some of the most outstanding architecture and also some of the most difficult to build. The whole house only has two 90 degree angles, which are constructed in the bathrooms around the showers. Otherwise, the house is made solely of 30, 60, and 120 degree angles. There were several debates and arguments between Wright and the Hagans over furnishings and at what angle the house was going to face. The house was finally complete in the summer of 1956. The Hagans were able to move in to a semi-complete Kentuck Knob on July 29, 1956, their twenty-sixth wedding anniversary. I.N. and Bernardine wrote to Frank Lloyd Wright about a year later thanking him for all of his hard work and sending in their final payment, 10% of the total cost.
The dining area opening to another terrace is one surprise; the view down the corridors toward the master bedroom is another. The kitchen — set behind the big living room fireplace — is a total surprise. It's a six-sided stone-walled room that rises through the height of the house and is lit by a large skylight. This is the massive anchor of the house. It may sound impractical, but outfitted the way Bernadine Hagan wanted it, it was a delight. I loved it.
The Hagans lived happily in their home for 30 years until I.N. Hagan's encroaching Alzheimer's disease forced them in 1986 to move from their isolated mountaintop. The house is now owned by Lord Peter Palumbo of Great Britain. He has preserved it and opened it for the public to see. Some 30,000 visit annually. We're happy to have been there. What a Frank Lloyd Wright experience!
Set within the grounds of Kentuck Knob, more than 30 sculptures and artifacts are displayed around the house and along the nearly mile-long Woodland Walk. Works by artists including Andy Goldsworthy (above and below), Anthony Caro, Wendy Taylor, and more.
We were not expecting to experience a piece of the Berlin Wall. The current owner Lord Palumbo, added segments of the wall to his eclectic collection of contemporary outdoor sculptures on the grounds. Wild.



























































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